"I have to let you know," said the young poet who sought me out at the party, "that your new book inspired me to write my first nonfiction. I've had some stuff to deal with, and I thought first that I might write it as fiction. But it came out as nonfiction. It's my first essay. I just wanted to thank you."
"That's really great," I said.
"And whenever I got sort of stuck while I was writing it, I would look at the essays in your book and see what you had done. I used them as a sort of template."
"I'm glad," I said.
"I never thought I'd write any nonfiction. It was such a surprise!"
"Poets tend to write good nonfiction," I said. "Could you tell," I added, "in those earlier essays, whose template I was using? James Baldwin's," I said. "You can see me imitating his sentence structure. Until I got my own."
"I love James Baldwin. I've read a lot of his fiction. I love Sonny's Blues, and use it in every class I teach. But I didn't know he wrote essays."
"He wrote great, great essays. His fiction really doesn't compare at all. I hope you can get the collected-essays book called The Price of the Ticket. If I have any regrets," I said to the poet, "it's that during his lifetime I must have had the chance to hear James Baldwin read from his work, maybe on a campus, and I must have passed it up. I'd never even heard of him. I was already in my 30s when I first read his work. But his essays were my inspiration."
"Yours were mine!"
And later I thought: That's more proof that only good has come of my having the nerve to self-publish. I don't mean money; I can go work at Wal-Mart and make money. I mean true genuine good.
Sunday, December 30, 2007
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