Paid at Last

Is it a coincidence that the same day the blog below appeared, complaining of an account gone 12 weeks unpaid, that I received an email from the account in question, saying sorry for the delay but the check was on its way? It arrived in the next day's mail. All settled now.

This teaches me: Don't give up!

Stiffed at Last

Since 2000 people have asked me to edit their manuscripts, both people I knew and those I didn't, and unless it was clearly a long and massive job, I did not bother to ask for money up front.

Then I was asked to spend half an hour on a manuscript sample I found so sorely in need of editing, formatting, and fact-checking that correcting the first two and a half pages took up the whole thirty minutes. I returned the heavily annotated manuscript with with an invoice for half an hour's work. I have now billed the author every week for 12 weeks, adding, "It is not too late to pay me." It is the first time I've been stiffed, fortunately for only a small amount, but there's the principle of the thing. (The manuscript was about principles, and how "these are the times that try men's souls.")

New rule: Strangers pay up front for a minimum of one hour's work. Make that your rule too!

New Literary Journal in Town

Just announced: A new literary magazine from Lindenwood University's M.F.A. program, deadline for its first issue December 15, 2010. Start the new decade right (or, rather, "begin the new decade correctly"), and send good poetry, fiction, essay, or flash fiction. Read the submission guidelines at http://thelindenwoodreview.blogspot.com. The editor is Beth Mead, head of Lindenwood's newish M.F.A. program, who as a University of Missouri-St. Louis M.F.A. student helped edit Natural Bridge. Mead will be using that model to teach the course in journal editing that will culminate, next June, in issue #1 of The Lindenwood Review. She says, "[M.F.A.] students will read submissions, discuss all pieces, and play a large role in the selection of published work." Lindenwood's upstart Untamed Ink magazine will publish its third and final issue this fall.

Insanely Low-Cost Self-Publishing

Last night attended a St. Louis Publishers Association meeting at Mira, a midtown-St. Louis digital-printing company that sustains itself on self-published books. I kid you not. Cut to the chase: Here is their pricing chart for the printing of paperbacks (pricing is per book, from a print-ready PDF file; full-color cover with gloss lamination, b/w interior and perfect [glue] binding):

Across: Book Quantity Down: Number of pages in book	25	50	100	250	500
50	3.00	2.75	2.50	2.00	1.80
100	3.93	3.61	3.29	2.88	2.47
150	4.80	4.49	4.09	3.67	3.16
200	5.84	5.36	4.88	4.39	4.02
300	7.75	7.11	6.47	5.67	4.92

My meaning is: Don’t be tempted, or let your friends be tempted, by a self-publisher who wants $3,000-$8,000 to publish your book. Save your money and publish it yourself. Mira and other competing printeries in the area also have design and editing services; bizcards, posters, banners, etc. are printed there too. If you are or want to be self-published (hey, poets) or small-press, the world is now your oyster.

The No-Contest Contest

Finally -- the "no-contest contest." Send poetry or personal essays with $15 "reading fee" and receive a critique from "S.," who offers editing services and a subscription-only e-newsletter. Yes, everybody who enters the non-contest gets a critique. Here's how it works, genuine quotations:

"Step 1 - You submit an entry and S. responds.
Step 2 - You can either keep your entry as is for the contest or revise it and resubmit for consideration in the contest before the contest deadline, August 31st. "

You now demand to know the details and the prizes. Forthwith:

"Deadline: August 31, 2009
Submit: Up to six double-spaced pages of prose or three poems. S. will respond to your work within two weeks of receiving it. [Apparently S. is not very busy.]
Entry Fee: Entry fee for subscribers is $15 and for non-subscribers it is $45 and includes a year’s subscription ($30 value) to [newsletter].

"The contest finalists will be judged by a guest editor to be announced in September and winners will be notified and published in [newsletter] (we require one time only rights) in the later fall. Winners receive a half-hour consult with S. about their writing and/or publishing questions."

This is the first "contest" I have seen OPENLY established and run by an individual for their own personal monetary profit. Others like it can't be far behind...it's one way for a writer to try to make a living.

What Your Skills are Worth

Copyediting: $26/hr
Manuscript evaluations: $46-$51/hr
Teaching/leading a workshop: $75/hr
Writing queries: $78/hr; $200 per project
Online research: $65/hr
"Generating content": $84/hr

Info is the "average" from the 2006 Writers' Market. You'd be making more today!

Go out and charge likewise!

Annie Dillard Helped

Annie Dillard (nee Meta Ann Doak) helped me today as I chose 6 unpublished poems to submit to an anthology that is no sure thing, that I suspect might never be finished or published. So I wanted to hold back a couple of poems just too good for it, thinking: I bet these could impress a bigger editor -- later. Then Dillard's words came to mind:

One of the few things I know about writing is this: spend it all, shoot it, play it, lose it, all, right away, every time. Do not hoard what seems good for a later place in the book, or for another book; give it, give it all, give it now. The impulse to save something good for a better place later is the signal to spend it now. Something more will arise for later, something better.

And I sent my 6 best poems and felt the rightness of it, the healthiness of having set them free, trusting that I will write even better ones. Thank you, Annie.

The Self-Publisher Options You Need and Don't Need

Every self-publishing firm offers a number of optional services on top of its base price. If you want a professional-quality book, these are the options you want:

-Professional copyediting and proofreading of the initial manuscript and final proof. Money spent on this is money well spent. Don't economize by trying this alone. Your readers will love finding the inevitable errors, and you will hate paying the self-publisher to correct and reprint your book.
-Professional layout or setup of the book's interior. This may be called "the setup fee" and is often included in the base price. The self-publisher has the proper software for this.
-Professional cover design. You may supply the photo or illustration, but don't insist on drawing or lettering your own cover. If you don't like what the publisher's graphic artist suggests, ask for another design.
-Register your book with the Library of Congress. It sounds easy: Fill out forms and write a check. But the forms are complicated, rather like patent applications, and with my first book only an 18-month correspondence straightened everything out. Save your mental health and pay $100 to get it done.

Don't waste your money on:
-Independently buying your own cut-rate ISBN number for your book. A self-publishing firm will not be able to use it.
-The pricey package allowing you "unlimited customization" of your book. Why pay your chosen self-publishing firm thousands of dollars just for the luxury of spurning its help and advice?
-Promotional or marketing packages that will compose press releases, send your books to reviewers, and so on. Self-published books do not benefit from these tactics.